轻的还是重的

浮光31

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Written by Wang jun 编辑

02月 12th, 2012 at 7:23 pm

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浮光30

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Written by Wang jun 编辑

02月 10th, 2012 at 1:41 pm

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浮光29

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初九

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02月 1st, 2012 at 12:47 am

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浮光28

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初八

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01月 30th, 2012 at 10:16 pm

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浮光27

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初三

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01月 27th, 2012 at 12:34 am

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浮光26

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初二

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01月 25th, 2012 at 10:13 pm

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浮光25

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周末杭州-上海。

Written by Wang jun 编辑

01月 16th, 2012 at 1:30 am

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2012.01

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屋漏痕——形式的承载
策展人: 蒋再鸣

展览时间：2012/01/13 ~ 2012/02/11

开帘卷西风幕时间: 2012/01/13

展览地点: 浙江美术馆

艺术家: UNMASK、王光乐、王迈、王俊、韦嘉、仇晓飞、刘韡、李青、李晖、李昌龙、李威、陈彧君、吴俊勇、邵文欢、杨心广、赵弥、曹斐、彭薇、俸正泉、屠宏涛、薛峰

Written by Wang jun 编辑

01月 10th, 2012 at 9:47 pm

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浮光24

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Written by Wang jun 编辑

01月 8th, 2012 at 10:17 pm

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浮光23

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Written by Wang jun 编辑

01月 4th, 2012 at 11:30 pm

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红

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新年红地毯。

Written by Wang jun 编辑

01月 1st, 2012 at 1:27 am

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流水26

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2011.12.9

确实，约翰斯是我很喜欢的艺术家，他对物的观看和描绘的方法都对我有所启发。诚如你所说用“物的方式来消解画同时强调画的物质性”，让画成为“物”会使画呈现一种“中性”，中性很重要，让画成为非画，画的讨论空间就可以更大了。绘画是古老的物事也是持久的行为，在今天，离开奇观的现场，绘画还可以挑动人的神经，可以让人有谈论的兴趣，实属不易。其实近来我越发觉得线是一种障碍，线条天然的免不了带有情绪和情感，容易陷入语言套路的危险，就是说容易让画面风格化，让画面简单。或许，这会是一种表达和观看的阻碍。

快感是可疑的。

如今越来越多的绘画流于手的流畅 [...] （阅读全文……）

Written by Wang jun 编辑

12月 31st, 2011 at 1:50 am

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2011.12

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[...] （阅读全文……）

Written by Wang jun 编辑

12月 30th, 2011 at 12:21 am

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浮光22

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[...] （阅读全文……）

Written by Wang jun 编辑

12月 18th, 2011 at 12:49 am

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浮光21

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[...] （阅读全文……）

Written by Wang jun 编辑

12月 10th, 2011 at 9:47 pm

Posted in Life Photos